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Fejká

Select Cuts 352 mixed by Fejká

Mat.Joe

Premiere: Mat.Joe flips Kill Frenzy’s ‘All Night Long’ into modern, bouncy affair via Dirtybird

Island Hill

Prima Lux mixed by Island Hill

D-Formation

Premiere: D-Formation returns to Beatfreak Recordings with dancefloor-driven rework of ‘Distance Shores’

Hernan Cattaneo & Mercurio

Premiere: Hernan Cattaneo & Mercurio captivate on Music To Die For with stunning rework of Jamie Stevens’ ‘Dust’

Premiere: Nick Curly returns to his label 8-bit with a rich tapestry of sound

Thomas Gaboury-Potvin
News, Premieres, Tech House
18 March 2019

Nick Curly is that most wondrous of artist: ever popular and ever relevant without chasing the bandwagon sound of now. Since breaking through 11 years ago, he’s steadily built a back catalogue of solid, dependable tracks that have allowed him to sign to Drumcode, Knee Deep in Sound, Get Physical, Cocoon and more. As a party curator, his own Trust brand has grown in stature hosting events far and wide, elevating him as a titan of the music industry.

‘Zero Love’ sees Nick return to 8-Bit, his own jointed run label which he has released on regularly since it started back in 2006. Warmth oozes from every byte as Nick expertly marries rubbery bass and crisp percussion with aching pads and stabs into a hypnotic maelstrom. On the flipside, ‘Blahskiboo’ is a joyous bouncy house workout. Guitar flecks and far off sweeps add texture as the main hook ebbs and flows throughout. You can listen to the full premiere of ‘Blahskiboo’ exclusively on When We Dip. Enjoy !

Release date : March 22nd, 2019. Buy Here

Follow: Nick Curly // 8bit

Related

Fejká

Select Cuts 352 mixed by Fejká

Mat.Joe

Premiere: Mat.Joe flips Kill Frenzy’s ‘All Night Long’ into modern, bouncy affair via Dirtybird

Island Hill

Prima Lux mixed by Island Hill

D-Formation

Premiere: D-Formation returns to Beatfreak Recordings with dancefloor-driven rework of ‘Distance Shores’

Hernan Cattaneo & Mercurio

Premiere: Hernan Cattaneo & Mercurio captivate on Music To Die For with stunning rework of Jamie Stevens’ ‘Dust’

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