To celebrate his recent release on ERRORR, we sat down with Israeli Melodic Techno artist, Against All Ødds to learn about his inspirations, musical journey, studio vibes, and much more about the man behind the music…
WWD: You’ve worked with several respected labels like Impressum, Tomorrowland Music, and zerothree. Do you set out to make different sounds for each one?
Yes, each label has its own vibe. For example, Impressum is more about feeling, power, and storytelling. Tomorrowland Music focuses on commercial, broad, happy mainstage vibes. Zerothree is more underground. Each label has its unique crowd and the type of music that works best for it.
WWD: Has your experience with these labels and their bosses influenced your style and added skills to your repertoire?
Not really. The labels usually get the tracks ready and then decide if they want to sign them or not.
WWD: How do you approach blending timelessness with originality in your tracks?
I try to get inspiration from David Guetta’s work (joking). I always try to find a balance between what’s happening in today’s market and what excites me. That’s how I find the right formula for each track.
WWD: ‘Sign’ seems to push musical boundaries. What was your creative process like for this particular release?
I wanted to create a track influenced by industrial sounds combined with powerful vocals and an uplifting melody. It took me a while to figure it out, but I’m super happy with the results.
WWD: How do you keep your sound fresh and innovative?
I stay informed on the latest news in tech, plugins, new artists, and fresh music. These days, AI plays a huge role in the industry, so it’s very important to learn how to use it to your advantage.
WWD: Can you share any specific experiences or moments that have significantly shaped your artistry?
I once worked with a very famous producer and DJ who told me something that stuck with me for life: “no matter what mood you’re in, you have to put it aside and make the most of any moment you have in the studio to produce music.”
WWD: What are some challenges you face as a DJ and producer in maintaining your unique sound while also appealing to a broad audience?I have been producing music since my teens, and not just electronic. My style is very versatile, and I can create tunes across the spectrum. Different tunes attract different audiences, and that’s how you balance it.
WWD: What gear do you use in the studio and does that matter to you?I have a few interesting toys in the studio, but I like to work in the box because it feels a lot faster. However, when I’m looking for more unique and complex sounds, I’ll use the Matrixbrute and Jupiter Xm.
WWD: What have been your biggest musical influences – who has really shaped your sound?There are so many, but the main ones are James Holden and John Creamer. Their music and unique sounds influenced me a lot growing up and helped shape my sound today.
WWD: What are your three essential tracks at the moment?
Lastlings – “False Reactions”
Kirsty Hawkshaw – “Fine Day” (James Holden Remix)
Citizen Main – “Your Heart” (Fred Lenix Remix)
WWD: What advice would you give to aspiring DJs and producers looking to make their mark in the electronic music industry?Get a good team of people around you who really believe in your music. Be persistent and keep releasing tracks; you never know which one will be your breakthrough.
WWD: What do you do outside of music? What do you like to do to relax or even draw inspiration?As lame as it sounds, I don’t have any other hobbies except for music. I sit in the studio and explore new plugins—maybe that’s a hobby? I take care of my child, walk my dog, and spend time with my wife. She has hobbies.
WWD: What music do you listen to outside of the electronic spectrum?
Indie, indie-pop, jazz, and pop-rock.
WWD: What does the future hold for Against All Ødds, and are there any upcoming projects or collaborations you can share with us?I have a few exciting collaborations coming up with Paul Anthonee, Avaddon, Q.U.A.K.E, and Innersense. Additionally, I have new releases on Zerothree and Befree Recordings. I’m also starting my own live set show that will air twice a month, showcasing new tracks, exclusive mixes, and emerging artists. I’m very excited about this opportunity to share my unique mix with my audience and express myself more. Follow my social media for exact air times.
WWD: What was the last record that blew you away?
“Roller Vox” by John Monkman—amazing track!
WWD: Agreed! Thanks for the chat 🙂
‘Sign’ is available here