Los Angeles is in for something special this weekend as Framework teams up with iconic German imprint Innervisions to celebrate its 20th anniversary. Taking place this Saturday, September 13th, the party lands at The Dock at the Historic Sears Building—marking only the second-ever official Innervisions showcase in LA.
The lineup is stacked: Âme (DJ) and Dixon headline, joined by Jimi Jules, rising US selector Julya Karma, and Portuguese powerhouse Trikk, who’s been a longtime fixture of the Innervisions roster and a key player on the anniversary tour circuit.
Ahead of the LA show, Trikk dropped in to reflect on two decades of Innervisions — touching on the magic of London and Berlin, the delicate balance of touring and creating, and what’s next with TRI/XON, his boundary-pushing new project with Dixon.
WWD: Hey Trikk, welcome to When We Dip! You’ve been a staple of the Innervisions legacy for almost a decade. What’s one unexpected lesson you’ve learned along the way — whether about the music, the scene, or yourself?
One of the biggest lessons has been trusting your vision, having patience, and moving forward always. Things do not always unfold on your timeline, but staying honest with your sound instead of chasing what is moving fast in the scene is what creates longevity, not overreacting to every reaction.
WWD: Speaking of legacy…you’ve performed at every stop so far on the Innervisions 20th anniversary tour from Barcelona to Lisbon. What’s the atmosphere been like? Do certain venues or locations push you to dig deeper into your catalogue or take more risks with your selections?
What stands out the most on this tour is that the setup is always right, you are playing for crowds that understand exactly what is unfolding. It is like playing home football games, where the crowd and even the referees are on your side. It feels familiar, relaxed, and turns instantly into a celebration.
WWD: There are some monumental stops coming up—London’s 24-hour marathon, a Halloween haunting in Berlin, plus shows in New York, Mexico, Brazil, and L.A. Which one are you most looking forward to? And be honest—do you think you’ll make it through all 24 hours in London?
The ones I am most looking forward to are the weekend we play Berlin and London. Two historic venues, long hours, and most of our hardcore fan base will be there. It feels like home turf again, where everyone wants you to succeed. The stakes are high, but in the best possible way. And in London, I will do 25 hours (of course).
WWD: The upcoming LA show marks Innervisions’ first official collaboration with Framework—at the historic Sears Building, no less. In your experience, how does the energy in the U.S. differ from the European circuit? What excites you most about bringing the tour stateside?
I think less and less there is a difference between Europe and the U.S. when it comes to crowds and club culture, from the niche scenes to the biggest and most mainstream. I personally love LA and have spent a lot of time there over the years, so I am happy we can finally bring Innervisions and make our presence felt in California. Framework allowed us to go big, especially at the Sears Building. That is exciting because it sets the party apart, not just a date on the tour, but an experience anyone can step into, even outsiders who want a taste of what Innervisions is all about.
WWD: Does the momentum of this tour fuel your production process at all or are those two creative zones—touring and studio work—totally separate worlds for you?
They are two separate worlds, but for me they also go hand in hand. I spend a lot of time producing on planes and in hotels, and I am always making edits for my DJ sets. Touring feeds you constant feedback and that perspective carries into the studio. But the studio is also where you switch off from all that and go deeper into ideas without the pressure of the crowd. So it is a balance: one gives me perspective, the other gives me space.
WWD: Having worked so closely with Innervisions over the years, what do you think sustains its influence on both listeners and selectors two decades in?
Its influence comes from staying culturally relevant without ever chasing trends. The curation is sharp and consistent, and behind it are people with strong personalities who know how to challenge each other in the right ways. With that comes a certain risk, a hit and miss attitude at times, but that is also the exciting part. It shows the label is alive, willing to take chances, and that is what keeps it meaningful to both listeners and DJs after all these years.
WWD: Do these anniversary events feel more like a reflection on the past or a step into what’s next? Or both?
It is definitely both. There is a sense of looking back, appreciating what Innervisions has built over 20 years and the community that has grown around it. But the energy of these shows is very forward facing. The scale and the risks we are taking make it a statement about the future, not just momentum, but also showing what the future will look like.
WWD: With so much movement and momentum around the tour, how do you stay grounded in your own artistic vision and in your decision to keep a minimalist presence on social media?
I use social media like everyone else, but only in a way that feels natural to me. My natural state is being off it most of the time, but every now and then I like to share inspirations or a bit of my own persona. I do not overthink it, I post when it feels right and disappear when it does not.
WWD: Besides the 20th Anniversary Tour, how are you spending the rest of 2025?
The main project coming to life soon is TRI/XON, a project me and Steffen (Dixon) created. I am also working closely with Innervisions on the next steps for the label. It is going to be a busy end of year, but one where I want to balance touring with creating and shaping what is next.
WWD: Sounds incredible! Happy 20th anniversary and thanks for the chat 🙂
Tickets for Innervisions x Framework in L.A. are available here
