Argentinian artist Lucas Uberto, also known as Ubbah, has just released his latest single titled ‘Signs’. The track is featured in the compilation ‘Four To The Floor 33’ on Solomun’s Diynamic label. Ubbah’s music stands out for its innovative blend of Indie Dance and Melodic House & Techno, once again showcasing the artist’s eclectic talent. The inclusion of ‘Signs’ in the compilation further underscores the recognition and appreciation of his work within the contemporary electronic music scene. We had the chance to speak with the producer about the release and more. Enjoy!

WWD: Hi, Lucas! It’s a pleasure to have you here with us. How have you been? How did you kickstart your year? What have you been up to?

All good. I’m happy with the way things are going this year. I’ve been working on new music and new projects. This is going to be a year full of releases.

WWD: “Signs” features a blend of melodic techno and indie dance. Can you talk about the creative process behind achieving this sound?

That’s the spot in which I feel the most comfortable, where my identity stands out. After years of doing different styles I finally manage to get my own unique sound with this mix of genres.

About the creative process, it was at the end of 2021 that Signs was created. I was playing a lot with this blend you mentioned before, trying to play with drums in an organic way, keeping it dark but retro at the same time.

WWD: You’ve achieved notable success since starting your gigs on Afterlife. What has been the most challenging aspect of your rapid rise in the music scene?

Probably all the changes in my life. In 2022 I moved from Argentina to Spain, I’ve been working a lot, sleeping almost 3 or 4 hs a day trying to achieve all my goals. That was a hard year for me, but probably one of the best for my career.

WWD: What’s next for you after the release of “Signs”? Are there any upcoming projects or collaborations you can share with us?

Up next is my own record label, I need it so that I can stop waiting for others’ approval to release my own music. Also to push my own sound, that is so versatile, and sometimes so hard to fit into other labels.

WWD: Now, stepping outside of the studio for a bit…the use of AI in music has become quite common after its initial introduction, which raised many eyebrows. What’s your stance on this? Have you contemplated its possibilities?

To be honest I don’t know… I mean, if it’s used as a tool to make the workflow easier, then I’m okay with it. But if this is going to lead into a society of non-musicians that ask a bot for what they want to achieve and how they would like to sound; then I’m not so supportive.
I hope people don’t quit playing instruments and giving the human touch to the music.

WWD: Take us through a day in your life, from a possible morning routine through to your production work and otherwise, please.

I wake up early, I don’t do breakfast, and I jump into the studio for hours until I’m starving. Maybe sometimes I spend 7 hs without doing anything other than my music. Usually I give myself a moment of the day to focus on other aspects of my career. But by 7PM I’m normally done working.

WWD: There have been quite a few amazing electronic music artists to emerge from Argentina like yourself, what was it like growing up there and who were some of your local heroes?

There are huge artists everywhere, no matter the country.

It may be harder for artists to emerge from countries with a frail economy, especially if they are located far away from the main market like Europe, the Middle East, or the USA. It’s hard, but not impossible, as long as you work harder than anyone.

About local heroes, though it might not be the music I consume the most, I should definitely name Hernán Cattaneo, who is an example of a long and a healthy career.

WWD: If you were a tour-guide for nightlife in Barcelona, what would be the clubs you’d take the people to see and what local DJs do they need to hear?

To be honest I don’t know a lot about Barcelona’s local DJs. I haven’t been raving these past two years, I’ve been mostly working so I can’t say I go and listen to these artists. Although I would love to.
Maybe I would say that if there are any Brunch In The Park, I would definitely advice to go there. And for a night club maybe you can try Input.

WWD: What’s a book you’ve read or film you watched that has left an impact on you, and why?

Hmm I’m not a good reader. I enjoy movies a lot because of the sound and visual effects. But I would set the movie Whiplash as an example of discipline and hard work in music. And then I do like Tron a lot, especially because of the music. I think Daft Punk did an amazing job there.

WWD: Apart from music, what makes you happiest?

Surfing, gaming and hanging out with friends.

WWD: Thank you so much for your time! We wish you all the best for the future. Take care!

Thanks for the space, I wish you the same!