Momery is a Greek duo who have really made an impact over the last 18 months with releases on esteemed imprints like Siamese, HABITAT, ICONYC and more. We caught up with them recently to find out more about their journey, their local scene in Greece, and their plans for 2025…

WWD: Your name, Momery, blends memory and music. How did you come up with the concept, and how does it shape your sound?

We met in our hometown of Thessaloniki. After years of friendship, we realized it was the right time to start producing music together, and here we are. Fueled by mutual inspiration and a shared vision, we entered the studio to create something that truly reflects us—a journey full of emotion and imagination, exploring various sounds across all facets of electronic music. Our goal is for our sound to blend strong rhythms and melodies, much like the memories we create during a night out at the club with friends, or even in those quiet moments when you’re alone with your thoughts.

WWD: Your EP, ‘Little More’ is now. What inspired this release, and what do you hope listeners take away from it?

This EP represents a reflection on the limits of where the senses can take us. With ‘Little More,’ we aimed to create a dynamic blend of rhythms, intense synths, and percussion. In contrast, ‘Moon’ explores a softer, more melodic sound, designed to navigate the space between the conscious and subconscious. It’s a new step for us—a challenge, we could say. We have a lot of music, and this time, we wanted to try something different by releasing it ourselves, entirely designed by us. Through this self-release, we wanted to share our aesthetic perspective with people in a more personal way.

WWD: You made your ADE debut in 2024 and performed at major events like Reworks and in Dubai. How have these experiences shaped your journey as artists?

Making our ADE debut in 2024 and performing at major events like Reworks Festival and in Dubai have been pivotal moments in our journey as artists. ADE was an incredible festival to connect with people and showcase our sound to a global audience. Reworks, with its forward-thinking approach, challenged us to push our creativity as it’s happening to our Home city.

It was our first time in Dubai and the energy and diverse crowd allowed us to experiment with different sonic elements. Each of these experiences has shaped our artistic direction, reinforcing my passion for live performance and inspiring us to refine our sound for larger, more dynamic spaces.

WWD: Your music incorporates analog synths and machines. Can you walk us through your studio setup and share a piece of gear that plays a key role in shaping your sound?

Absolutely! Our studio setup revolves around analog synthesizers and hardware machines, allowing us to craft rich, evolving textures and dynamic soundscapes. We rely on synths like the Moog Sub 37 and Andromeda for their warmth and character, alongside drum machines like the Elektron Analog Rytm for deep, punchy grooves. One key piece of gear that defines our sound is the Prophet 12 by Dave Smith Instruments. It lets us manipulate and reshape audio in a way that feels both experimental and expressive. We love the hands-on approach of hardware—it brings an element of spontaneity that software alone can’t replicate!

WWD: Coming from Thessaloniki, Greece, how has your local scene influenced your music, and what’s the electronic music culture like there?

Thessaloniki has had a huge impact on our musical journey. The city has a deep-rooted underground electronic music culture, blending influences from techno, house, and experimental sounds. Growing up here, we were surrounded by passionate artists, small but dedicated club scenes, and a DIY spirit that really shaped our approach to music. The city is also home to the Reworks Festival, which we believe plays a major role in pushing the local scene forward, exposing us to international sounds while preserving the raw energy of Thessaloniki. That mix of global influence and local authenticity definitely finds its way into our productions and performances.

WWD: Who are some of your biggest musical influences, and how have they impacted your approach to production and performance?

Our biggest musical influences span across various genres and eras. Bands like Depeche Mode, Joy Division, and The Cure introduced us to deep, emotive soundscapes, while artists like Nicolas Jaar and Boards of Canada inspired us to explore atmospheric textures and unconventional rhythms. On the club side, figures like Richie Hawtin and artists from the French house scene, such as Daft Punk and Gesaffelstein, have influenced our approach to performance, blending precision with improvisation. These influences have shaped our production style, encouraging us to experiment with analog synths, organic textures, and dynamic live elements to create immersive sonic experiences.

WWD: What’s next for Momery? Are there any upcoming collaborations, projects, or performances we should look out for?

We have an upcoming EP set for release on vinyl via Iconyc in mid-March. In April, we’ll return to Habitat with a track featured in their ‘Metaflora’ compilation. Then, in June, we’ll be releasing a remix for Samer Soltan. Additionally, we have several collaborations in the works that will be released soon, bringing even more diversity to our music.

WWD: With AI-generated music on the rise, how do you see the role of modular synthesis and hands-on production evolving in the electronic music landscape?

While AI-generated music is becoming more prevalent, we believe that the role of hardware synthesis and hands-on production will continue to be essential in the electronic music landscape. Hardware synths offer a level of spontaneity and creativity that AI cannot replicate—they allow for constant experimentation, real-time manipulation, and the creation of unique, organic sounds. For us, hands-on production is all about feeling the music and responding to it physically. It’s a deeply personal experience, and that human element is something AI can’t fully replace. Instead, we think AI can complement this process, providing new tools for innovation while hardware synthesis keeps the creative spark alive through tactile interaction and unpredictable outcomes.

WWD: What advice would you give to fellow producers starting out?

Our advice for fellow producers starting out would be to focus on developing your own unique sound and not to rush the process. It’s easy to get caught up in trends or comparisons, but the most important thing is to experiment, make mistakes, and learn from them. Invest time in understanding your gear, whether it’s hardware or software, and don’t be afraid to get hands-on. The more you engage with your instruments, the more your creativity will flow. Also, be patient—production is a journey, and the more you practice, the more your skills will evolve. Lastly, stay connected with your local scene and online communities; sharing knowledge and collaborating with others can open doors and inspire new ideas.

WWD: Finally, if you could collaborate with any artist—past or present—who would it be and why?

We’re open to collaborating with any artist today who shares a similar passion for innovation and creativity.If we could collaborate with any artist, it would be someone like David Bowie or Vangelis. Both were visionaries, constantly pushing the boundaries of sound and exploring new creative territories. Bowie’s ability to reinvent himself and fuse genres, along with Vangelis’ pioneering work in electronic and cinematic music, are huge sources of inspiration. We would love to share the same studio with them, not just to create music together, but also to hear their stories and gain insight into their unique journeys. Their experiences and the paths they took to shape their sound would be invaluable, and it would be amazing to learn from their creative process.

WWD: Wise choices! Thanks for the chat 🙂

‘Little More’ is available here